Abstract
The interior designer seeks to construct internal spaces in the sacred buildings that puts the human being in the presence of God through the use of natural light as it is an attribute of architectural text, which also has been treated for a long time as a holly thing that contains inspiration energy that sparks life in every solid thing and recreates life in it.
Inspite of the existence of a large number of literatures that discussed the light phenomena,the modes of employing and using it.Most of them focused on the functional and technical aspects, without considering the style of it is utilization by the interior designer to achieve his style and attract his receivers to theimpressions in the architectural text.Thisindicates the importance of researchingthese phenomena from it is stylistics and semantic aspects.
This paper focuses on identification and subsequently the establishment theoretical Framework for the utilization of natural light styles in the sacred building, then apply it on selected architectural projects to explore the stylistic displacements that were used by designer in utilizing the natural light elements in the interior architecture of the modern scared building. The research has reached some stylisticattributesthat showed the nature of renewal in theemploying of natural light in the interior architecture of the modern Sacred Buildings.
